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monocrat.
From The Economist
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Deus ex machinima?
Sep 16th 2004
Computer graphics: Hollywood movies increasingly resemble computer games. Now a growing band of enthusiasts is using games to make films
PAUL MARINO vividly recalls the first time he watched an animated film made from a video game. It was 1996, and Mr Marino, an Emmy award-winning computer animator and self-described video-game addict, was playing “Quake”—a popular shoot-'em-up—on the internet with a handful of friends. They heard that a rival group of Quake players, known as the Rangers, had posted a film online. Nasty, brutish and short, the 90-second clip, “Diary of a Camper”, was a watershed. It made ingenious use of Quake's “demo-record” feature, which enabled users to capture games and then e-mail them to their friends. (That way, gamers could share their fiercest battles, or show how they had successfully completed a level.) The Rangers took things a step further by choreographing the action: they had plotted out a game, recorded it, and keyed in dialogue that appeared as running text. Pretty soon, Mr Marino and others began posting their own “Quake movies”, and a new medium was born.
( Read more... )
monocrat. From The Economist
-------------------------------
Deus ex machinima?
Sep 16th 2004
Computer graphics: Hollywood movies increasingly resemble computer games. Now a growing band of enthusiasts is using games to make films
PAUL MARINO vividly recalls the first time he watched an animated film made from a video game. It was 1996, and Mr Marino, an Emmy award-winning computer animator and self-described video-game addict, was playing “Quake”—a popular shoot-'em-up—on the internet with a handful of friends. They heard that a rival group of Quake players, known as the Rangers, had posted a film online. Nasty, brutish and short, the 90-second clip, “Diary of a Camper”, was a watershed. It made ingenious use of Quake's “demo-record” feature, which enabled users to capture games and then e-mail them to their friends. (That way, gamers could share their fiercest battles, or show how they had successfully completed a level.) The Rangers took things a step further by choreographing the action: they had plotted out a game, recorded it, and keyed in dialogue that appeared as running text. Pretty soon, Mr Marino and others began posting their own “Quake movies”, and a new medium was born.
( Read more... )